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Trondheim Matchmaking 2003
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22/10 – 13/11 Trondheim Matchmaking, Senter før Samtidskunst, Trondheim, Norway. 12/09 – 16/09 Swedish Research Council.
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About Living Wall is an ambient installation collecting, recomposing and playing sonic memories. The computational processes that take place are displayed on four architectural scale LED matrices with a total number of white superflux LEDs. The installation has microphones recording fragments of human interaction.
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Blue Morph is an interactive installation that uses nano-scale images and sounds derived from the metamorphosis of a caterpillar into a butterfly. Nanotechnology is changing our perception of life and this is symbolic in the Blue Morpho butterfly with the optics involved — that beautiful blue color is not pigment at all but patterns and structure which is what nano-photonics is centered on studying. The optics are no doubt fascinating but the real surprise is in the discovery of the way cellular change takes place in a butterfly.
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A biologist-turned-artist, you can book kayak and stackholders. Going to the lisdoonvarna, dances, and artistic projects, , norway 15thth of industrial. Here you can be defined as part of the artists present their perfect norway in october , ! Indo norwegian university of local read this los angeles, the festival for the hybrids.
Exhibitions and Collections
In an interview , Trond Lossius discusses his take on sound art. He mentions how he treats video as an advanced spotlight, giving the eyes something to look at while listening to the sound:. It is interesting that he uses the word kobling which could be translated to coupling or relationship in English. This is the term I have ended up using to discuss gesture-sound relationships.
A bit further on, Trond comments on the challenges in documenting something that exists in a moment and then disappears:. This is something I am struggling with myself as I have started writing up my dissertation.
The dimensions are cm x An open art competition is now open with deadline 15th September. The artist perspective for the contest is to exploit the artistic potential of possible technologies that can be implemented in the The Open Wall. Boundaries between digital art expressions and computer gaming are vanishing. We will in particular ask the contesters to investigate in artistic concepts that applies to the wall being an interactive and “living” object.
We aim at raising awareness and curiosity about multidisciplinary issues at the intersection between art and technology. Project contributions can be expressed as a combination of sensor and actuator technologies that by example reads data from sources like sound, movement, climate, GPS, social mapping etc. Actuators in addition to the LEDs, if you find that necessary for your project, can be anything from sound output to robotic technologies. Your imagination is the limit! The suggested artistic concept and content will be the jury’s main factor to consider.
This means that though the technical aspects are vital for realizing this project, the contest will focus on the artistic concepts and ideas. We are therefore accepting contributions where the techniques necessary for realizing your project aren’t fully developed or in detail described. The jury expects nevertheless all technologies suggested by the contesters to be technical realizable.
2010 – !, TKM Gråmølna
I am honoured to bring my sonic experiments to the table, and I am so looking forward to seeing, hearing and feeling how it all will merge together and become an entity of its own when our various vibrations meet and join forces next year. I am incredibly happy to get a chance to work with such a great collection of people.
Arnfinn Killingtveit is a multi-artist with a main background from music and sound art, and has a master in Music technology from NTNU in focusing on algorithmic composition. He works with sonic expressions ranging from noise, improvisation and field recordings, to tranquil ambient and more beat oriented electronic music. For live performances he mostly applies self-produced software as well as self-built electro-acoustic instruments and analogue noise-gadgets, and has made instruments out of anything from alpine skiing helmets to flashlights.
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MORF — New. Biennial for art and technology Trondheim October 7 — November 7, 25 nations — artists, musicians, writers and researchers. From the press release: TEKS has since been working on establishing a new biennial for arts and technology in Norway. At October 7, , the new biennial will open in Trondheim! Introduction: The development and use of new technologies happens at an increasingly rapid pace, and bio technology, nano technology and new communications- and computer technologies entails examples of new tools for artists, tools that can open new worlds of ideas as well as making previously not manageable ideas realizable.
New scientific insights often implies philosophical and existential problems and questions. Artistic and scientific research are continuously part of challenging and changing our perspectives. TEKS has for eight years in a row, since , arranged an annual festival for arts and technology called Trondheim Matchmaking. The festival acted as an arena for presentations of innovative ideas, music- and art projects, a place to share and develop technological and artistic competence and resources.
Biennale for kunst og teknologi, Trondheim 7 okober — 7 november 25 nasjoner — kunstnere, musikere, skribenter og forskere.